Flavio Man was born in Tucuman, north of Argentina, in 1987. He lived in a small city between mountains, jungle, desert and buildings. This experience and contrasts are part of his art.After finishing High School in 2004 he studied Fine Arts in UNT, Tucuman. Years later he went to Buenos Aires to study film editing in ENERC. The art of the editing is important, because it is a dialog and a construction between images, generating sense and shape from different shots.He participated in several projects that were in festivals such as Cannes, Montreal.These years he attended an abstract art Workshop with Juan Astica, learning the language and expression of the abstract art.In the year 2018 he went into exile in Berlin.He currently lives there, working on exhibitions and creating new pieces of work.
Born in Beirut, Lebanon in 1955, Ghada Jamal started painting in the early 80s and continued her studies at Beirut University College (LAU) later, she immigrated to United States of America to pursue graduate studies.
In 1990, she earned Master degree in Fine Arts in Drawing and Painting from California State University Long Beach (CSULB ) and lived in California till her return to Lebanon in 2002. Over the years, Ghada has exhibited in United States, Europe and the Middle East. She had eight solo shows in Beirut, Lebanon.
She also participated in several group shows like; CONTEMPARAY ART at City Center Dome, and THE ROAD TO PEACE at Beirut art center. Her work is in many permanent collections,including the National Museum of Women in the Arts, in Washington, DC.
For over 17 years, Ghada Jamal taught drawing and painting at American University of Beirut and Notre Dame University, Louize. She is currently living and working in the United States of America.
Lebanese artist, Haibat Balaa Bawab graduated in 1975 from Beirut University College (now Lebanese American University). In 1982 she was awarded the unique prize from the Central Bank for designing the Lebanese currency. She was an art instructor at LAU from 1987 till 2001 when she earned a post at AUST where she is currently an art coordinator. Haibat has participated in numerous solo and collective exhibitions in Lebanon, throughout the Middle East as well as in Europe. Haibat constructs imaginative abstract works using paper clippings in an innovative technique. By affixing abstract cutout pieces from printed media in a figurative composition, she gives her collages an illuminating existence.
Hoda Baalbaki was born in Beirut and received her degree in Fine Arts Institute from the Lebanese University in 1995.
In her richly pigmented paintings, she explores the theme of self-reflection through the expression of beauty, channelling her creativity in order to depict scenes rooted at the intersection of memory and imagination.
Hoda has participated in several solo and collective exhibitions in Lebanon and in the Middle East. She is a member of the
“Syndicat des Artistes Plasticiens Libanais” and has won the first prize from the Hariri Graduates Association for two consecutive years in 2002 and 2003.
Born in Kuwait in 1968, Issa Halloum graduated from the Institue of Fine Arts at the Lebanese University in 1993, before pursuing studies in Artistic Anatomy at the Brera Academy in Milan in 1999.
Halloum seeks his inspiration in nature. He depicts intricately textured landscapes with vivid colours and airy configurations on canvases and on sculptures, where he plays with the surfaces and textures to create illusions of flatness. He paints from direct observation, carefully studying movement and light, engaging with these elements to create visual experiences rooted in the present moment. His palette is intense and expressive, revealing the significant influence of the great post-impressionist masters. As with Cézanne and Gauguin, he is generous with colors and his brushstrokes are energetic. Both calming and seductive, his paintings with simplified forms have a tangible feel. Whether he is painting a bright landscape, a busy market scene, an intimate view from a balcony, or an anonymous model, the artist freezes the action and the bustle. Additionally, his paintings are expansive. Landscapes and scenes are given room to flourish, creating the impression that the images outstretch the margin of the canvas, celebrating the abundance of nature, while carrying an aesthetic incompleteness that suspends the momentum of the compositions.
Halloum has participated in several individual and collective exhibitions across the Middle East and abroad, notably in Lebanon, Kuwait, Qatar, United Arab Emirates and Italy. His works are part of several regional and global private collections.
With him, the most ancestral of works becomes a modern art. Former Student of Teachers Training College, he specializes in psycho pedagogy at the Teachers Training College of Aix-En-Provence in 1955. Eager to knowledge, he follows up oriental studies and Islamology as well as Humanities at the Saint Joseph University, in addition to a BA in Management and Finances at the Lebanese University. Following that, he organizes trainings and activities in the manual pedagogic technology workshop at the Teachers Training College of Beirut. At the School of art crafts, he specializes in Ceramics and crown all this by a third cycle of research in “The handicraft production of actual ceramic in Lebanon, technical researches, stylistics and linguistics” at the Sorbonne in 1965. Ceramic requires knowledge in geography and geology in order to recognize the important sites for the extraction of clay, in history to be inspired thereby improve the old pieces, in sociology for the observation of the daily life, the manners and traditions of the craft-potter, and particularly in applied chemistry, since the clay is a hydrated alumina silicate. Multi-formation, double objectives: pedagogic and economic. On one hand, he aims at improving the life conditions of potters by developing and modernizing their profession. On the other hand, he brings technical assistance based on: the choice of raw materials used in the composition of the paste, the filtration of the ceramic slip by the sieve; improvement of the cleanness of the settling tank, diversification of the turned or modeled pieces, mechanization of the mixture of the clay with the raw materials and at last, encouragement of the creation of miniature pieces according to the need of the tourism market. His major concern was the improvement of the means, modes and frames in the same craft continuity. If it is needed to be more liberal in the production of functional pieces, Dr. Barchini was keen to save the style of the patrimonial pieces while following with caution the evaluation process.
Layla Dagher was born in Beirut, Lebanon. She studied Fine Arts at the Académie Libanaise des Beaux-Arts (Alba), and received her Master ’s Degree in Visual Art with honors.
She has taken part in various group and solo exhibitions in Beirut, and her work has been featured in international shows in Tokyo, Seoul and Paris.
Her paintings are included in both private and public collections, notably at the Lebanese Ministry of Culture. Layla is a member of the Syndicate of Lebanese Artists, a professor in Fine Arts at the Notre Dame University (N.D.U), and currently lives and works in Beirut.
Daughter of Alfred Maalouf, a great Lebanese painter and visionary, Louna Maalouf grew up in a family and environment of artists. Since a young age, art has always been an essential part of her life. In 1988, she obtained her graduate diploma in Fine Arts from Lebanese Academy of Fine Arts (ALBA).Since 1989 and until now, she is committed to teaching at ALBA. She transmits to her students her artistic talent in schools of architecture and cinema. In 1997, Maalouf received a grant as a professor to pursue silkscreen printing and photography at the National School of Fine Arts in Cergy, Paris. She has participated in many group and solo exhibitions. Her work centers on the woman, the city and the citizen, and their role, identity and position in the world. A positive force emanates from her canvases, which portray the city she cherishes beyond all and from which she finds inspiration: Beirut.
Born in Lebanon in 1970, Mansour El Habre is a multidisciplinary artist working across painting, printmaking and new media. He holds a BFA from the Lebanese University and an MFA from the University of Balamand. He is an instructor at the Lebanese Academy of Fine Arts (ALBA).
In addition to exhibiting on a regular basis in some of Lebanon’s foremost art spaces, El Habre has been featured in galleries and festivals across the Gulf, Europe and North America. He has been represented, since 1993, by Galerie Janine Rubeiz where he has held solo and group exhibitions: “Scènes de vie” and “Football” (2002), “Coup d’œil : Passé et Présent I” (2005), “Fiction” (2008-2009), “Artistes Libanais” Galerie Janine Rubeiz & Dar Al Founoun, “Lignes et Couleurs” (2008), “Republicafé” (2012), “Clin d’œil” (2014), “Home Life” (2015), “. In 2010, he participated in the exhibition “Convergence - New Art from Lebanon”, at the Katzen Art Center at the American University in Washington DC. His work has been showcased with Galerie Janine Rubeiz at several international art fairs like Art Dubai, Art Abu Dhabi and Beirut Art Fair.
Born in Mazraat Yachouch, Metn, Lebanon in 1950. Maroun Hakim holds a Master degree in drawing and painting from Lebanese University in 1975, then earned a Master degree in cermaics from Faculty of Applied Arts, Rome, Italy. He is neither a painter only nor a sculptor only, he is both. His relationship with Nature, his homeland Lebanon, his village Mazraat Yachouh, color, and stone or wood are all vital to a flux of creative work that is in a continuous evolution.
He never stops experimenting in textures or in mediums of expression whether acrylic, watercolor, oil, pastel or gouache, breathing into them the richness and passionate variations of his vision and spirit.
Maroun never forgets his sculptor talent in the game of lines and virtual volumes as he
periodically alters between varieties of stone, marble, wood and steel.
Over the years, Maroun had thirty five solo shows in Lebanon and abroad. He had aslo
exhibited in several collective shows in his homeland, Bahrain, UAE, KSA, Kuwait, Egypt, Jordan, Iraq, Syria, Canada and Switzerland. He was also a professor at the Lebanese University - Fine Arts Institute II, president of the Lebanese Painters and Sculptors Association and president of the Lebanese Fine Artists Syndicate.
He is currently fully dedicated to his Art, spending most of his time creating inside the comfort of his studio located in his hometown Mazraat Yachouh, Lebanon.
Born in 1988 and graduated from Villa Arson in 2012, Quentin Derouet came out with honors
and the Nice city’s price that rewards his masterful and minimal gesture : the trace of a crushed
rose on a wall. He now works between his two studios, in Paris and Aveyron in South of France.
Between 2012 and 2014, Quentin Derouet worked on different conceptual projects - Le Cirque
Noir - he created a perfume, - Intention - developped The Little Mathematical Theory of Poetic
Spaces. In 2014 he collaborated with Fabrice Hyber and the Meilland Society creator and producer
of roses based in Salon de Provence. They worked to develop a new variety of rose which
characteristic would be to let the most beautiful trace when it is crushed on a surface.
He then developped series of paintings from the most primitive mark to parietal painting, while
actually questioning contemporary painting. He created a rose garden in South of France, and
produces only with the blooming of its flowers. He has exhibited in several museums, the Museum
of Modern Art of Saint-Etienne, the Museum of Modern and Contemporary Art of Nice, the Kunst Merano
Arte in Italy and at Villa Arson. His work is represented by three galleries, in Paris, Nice and Shanghai
China and has been exhibited in various international art fairs such as Art Shenzhen, Fiac in Paris
or in Turin during a duo show with Hans Bellmer.He is now preparing a publication with Dilecta Editions
in Paris, in collaboration with the Thalie Art Foundation in Brussels and writer Boris Bergmann.
Born in Miami FL Sara is a Lebanese Visual Artist whose practice spans drawing, painting and video art. She has participated in several collective and solo exhibitions in Lebanon, Copenhagen, Berlin, and Canada including her upcoming participation in the collective “Lumiere du Liban” at the Arab Wprld Institute in Paris, were the work will enter the collection of the Institute Reading into the works of Sara Chaar is like jumping head on into a rumbling stream of consciousness, inhabited by insect-like creatures created with instinctual marks, transferring her impulses and feelings directly onto the work. The process is a cycle of constructing, deconstructing and reconstructing, echoing the never-ending story of Beirut. With construction tools, she accumulates layers of paint and material that work as a foundation that she later on scratches through with screwdrivers, cutters and palette knives, instinctively forcing out transformations leaving behind the memory of her gesture. It is with these textures or realities that Chaar confronts her abstract work. Her work’s aim is to bridge the gap between her poetry and the reality that surrounds her, to discover textures from her environment that tell her a story that belongs to her and that she wants to decipher through her paintings. Out of another crisis, the pandemic, a shattered economy and an uncertain future came a need to put things into a new perspective, in this case a fictional perspective where she uses bold colors as a statement that she likes to call “Imagined Certainty”.
Born in Beirut, Lebanon, in 1961, Wissam Beydoun received his bachelor of art from the Lebanese American University (LAU) with the Sheikh Zayed Award distinction.
Beydoun works with organic forms, creating abstract landscapes that celebrate the majesty of mountains and the overall beauty of nature. His recent oeuvre revolves around his relationship with his hometown. Experimenting with the art of cartography, he maps out Beirut according to his experiences, documenting the emotions embedded in this metamorphic city.
Beydoun has held several individual and collective exhibitions in Lebanon and France, and has participated in Sursock Museum’s ‘Salon d’Automne’. His work is featured in numerous private collections.